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Kisses of Never and No One

[Act I]

It’s the shadow of her lips
 that begins to vanish
  when she moves away from the sun;
  like a frozen heart of snow
  wishing to become kiss
   desert of storm.

It’s the very distance
 that separates warmth from cold,
  where only you remain:
   desertic;
  and her: Antarctic.

Lips of a tongue/mouth/language
 slowly unknowing themselves,
burn from afar
 and crack with closeness;
Today,
 blue precipice of vertigo.
However they are no longer one
 but two eclipses
that once desired (one another).

What more do you demand of me, love?
If we’re already thirteen months
 of letters apart,
if I have already auctioned
 the movement
and the meaning of the moon
from all my love letters, love.

Today, your kisses too
are up for auction:
 look at them, there,
being public,
 everyone seeing 
and reading them,
 those never-lips, ours,
exploring their dynamism 
in verses of no one.
What more do you demand of me, love,
 if you took away my cowardice
 that ruined me,
 mutating me into what I am today?

Distant, our ending
  writing itself in non-eternities,
 with kisses that want to steal from us,
 that already know
—they know—
 they will not be.
And they confess.
And they are crashed
 against distinct/different yours.
And they are destroyed,
today, from you and from me.
Me knowing it,
I know, I already know,
that Never you will be.

[And here she will continue:
in the heart 
and center of the poem
—supposed her or her auction]

You say love
as if it could be said,
and you write it, you,
you write it,
you and your cruelty:
both precipitating a flower
over the infinite,
spelling its immortality
during its fall, eternal,
but not its life,
in which you aren't either.

You say words,
and I die there,
like them,
like your roses,
like the flowers,
and here I stop beating,
and you ignore it
and you don't write it;
and you lie to yourself.
Me going you, you going me,
and you know this,
because you, too, are dying:
your yesterday,
today center of the poem.

And that's why 
you always return
and that's why 
you always throw me
with cruelly against you.
And you write 
to me again,
to me,
center of the poem:
never soulmate,
 soul no one
admits to not having;
me and you.

What will you implore
 from the daughters of denial and chance,
  Aporia and Contingency,
  if above their firmament I dwell—
  veil of a sky
  that doesn't see you?

Will you seek to immortalize them
  with promises
  that only make you believe
  you could brush a tomorrow,
     fate you don't know
  how to reach?

Look at yourself:
  unarmed, naked,
  hungry and filthy.
Look at you:
  what is your name,
  if even your tongue
  you have forgotten,
  mortal?

How will you tell Her
  that she was never Her,
  if all you bring
  are traitorous butterflies?

   [center of the poem]

Wings of time,
  you rise above winter,
 halting bursts
 of bygone eras;
 rain is your offering
 to the heart of my storm.
 Deny me, you,
 deny me a second time,
 and you shall make me 
legend of the impossible
Romance of the Denied
 tsunami is my reality.
 Deny me, you,
 when you are already
 being devoured.

Do you feel the heartbeat?
I deny you of words,
roots, their own roots,
that sink and sprout again
longing to be air
when nothing remains in them;
and if somehow I'm desired
I'll deny us too:
to us,       
Judges of Time,
realm where we are suspended.

Above us both
air will also pour
dying of rain;
Land of a final verse
falling from you,
hiding your tears,
frozen,
sky of summoned words
that surge from that tsunami,
now knowing themselves well,
a time upon which they seethe,
and form the geometry of the poem
until they reach you.
And I sense it while we beat:
either I remake your sky,
or we deny ourselves;
Aporia. 

She holds the strength
    of infinite hells,
yet her heaven
 is a spiraling heart
and burn 
  her
   infinite
    Hells
   within her.
Today and Yesterday are 
    Time or Witness
who already observe her:
    Contingency;
She is aporia-heat,
  and every carmine 
    is nothing but farewell
     of violet distance.
She is to aporize
    kisses with storms
          and no-time.

[center of the poem]

Tell me, 
you, who recited moments
beneath a time
that stands above you,
how unreachable will be 
the compass you believe you verse,
What won’t you know!
and still you’ll believe 
it shall remain,
you (and Her) Never
aporetic/aporic love:
love?

The storm awaits me,
always, ahead,
in all directions conceivable.
Times of the heart
of the one who never turns from his shadow.
If my reflections are
those I leave behind,
trails of a mirror
I would cross without kissing them:
yours, untouched.
Today, mist upon my eyes.
yet behind the tale
remains a yesterday,
mirage of a tomorrow:
the horizon I shall never cross.
The brave one
raises the sails
and he becomes helm 
when his arms strain to breaking.
he knows himself mortal,
never beyond
the gloom of your darkness.
Yet he sails into his future,
unaware,
and if he survives it,
its mists he shall verse:
the aporia of thy lips,
with boarded ships.
At the cyclone’s crest
beats the pirate heart:
eye of the hurricane
hears its echo resounding
riding a wind without center
in all possible destinies
behind, forever,
the storm shall remain.

[The poem is now
recited in reverse]

The storm shall remain,
behind, forever,
in all possible destinies
riding a wind without center,
hears its echo resounding,
eye of the hurricane
beats the pirate heart:
at the cyclone’s crest
with boarded ships.
The aporia of thy lips
its mists shall verse:
and if he survives it,
unaware;
yet he sails into his future,
the gloom of your darkness.
Never beyond
he knows himself mortal,
when his arms strain to breaking
and he becomes helm:
raises the sails
the brave one.
The horizon I shall never cross,
mirage of a tomorrow
remains a yesterday,
yet behind the tale
today, mist upon my eyes,
yours, untouched,
I would cross without kissing them:
trails of a mirror
those I leave behind,
if my reflections are
of the one who never turns from his shadow.
Times of the heart
in all directions conceivable.
always, ahead,
the storm awaits me.
 

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